- CANON DIGITAL PROFESSIONAL SAVE ORIGINAL AFTER EDITING MOVIE
- CANON DIGITAL PROFESSIONAL SAVE ORIGINAL AFTER EDITING PRO
- CANON DIGITAL PROFESSIONAL SAVE ORIGINAL AFTER EDITING WINDOWS
CANON DIGITAL PROFESSIONAL SAVE ORIGINAL AFTER EDITING MOVIE
This enables movie display resembling normal display. Viewing LUT: Click in the RAW movie tool to apply a look-up table (LUT).Note that BT.2020 display is not available in DPP, even if you choose BT.2020 or Cinema Gamut.
Work color space: Selecting or gives you the option of choosing BT.709 or BT.2020 as the working color space, with Cinema Gamut also available for Canon Log 3. Color adjustment: Set the hue and saturation. For Canon Log, choose EOS Original or Neutral. Color matrix selection: Automatically set to Neutral for Canon Log 3. Only for movies from compatible cameras with RAW movie recording and Canon Log/Canon Log 3 set to On. Canon Log/Canon Log 3: When selected, color matrix selection, sharpness configuration, and color adjustment is possible with this tool palette. In macOS, playback in the RAW movie tool also involves SDR conversion based on the ( ) setting in. Display in non-HDR PQ environments involves SDR conversion based on the ( ) setting in. CANON DIGITAL PROFESSIONAL SAVE ORIGINAL AFTER EDITING WINDOWS
Setting this option to in Windows enables HDR PQ playback of RAW movie files selected in the RAW movie tool. The following tool palettes are not available for RAW movies: Cropping/Angle Adjustment, Dust Delete/Copy Stamp, Partial Adjustment, Settings.Īdjustment using the Settings tool palette.
: Correction possible only for images captured using an RF lens. and correction: Click to apply shot settings. Lens Correction tool palette (for RAW movies)ĭifferences from the main Lens Correction tool palette ( ): and can be adjusted using the slider only when is selected (adjustment range: -10 to 10). With set to, click white balance is not availableĬolor Adjustment tool palette (for RAW movies)Įnables the same editing as the main Color Adjustment tool palette ( )ĭetailed Adjustment tool palette (for RAW movies)ĭifferences from the main Detailed Adjustment tool palette ( ):. Tone Adjustment tool palette (for RAW movies)ĭifferences from the main Tone Adjustment tool palette ( ): Gradation and luminance cannot be adjusted automatically. No WAV audio file is produced unless the movie was recorded with audio by the camera.īasic Adjustment tool palette (for RAW movies)ĭifferences from the main Basic Adjustment tool palette ( ):. įiles saved in DPX format cannot be viewed in DPP. Selecting DPX will prevent you from setting, ,, or. RAW movies recorded using Canon Log or Canon Log 3 (BT.709 color space): Only 16-bit TIFF format When Canon Log (color space: BT.2020) is set for the RAW movie : Only DPX is selectable. RAW movies recorded using Canon Log 3 (BT.2020/Cinema Gamut color space): Only DPX. RAW movies recorded with set to : Only DPX is available. The range is saved in the destination folder, in a new folder with the same name as the movie file.įiles are saved as sequentially numbered JPG, TIFF, or DPX* still photos and WAV audio files. Click, then complete the required settings and save the files. The out-point marker ( ) moves, and the last frame in the movie is set. Use the slider or / to show the frame to set as the last frame in the frame display area, then click. The RAW movie tool cannot run in non-AMD (Nvidia or Intel GPU) GPU environments. CANON DIGITAL PROFESSIONAL SAVE ORIGINAL AFTER EDITING PRO
GPU: Radeon Pro Vega 64 (16 GB HBM2 memory). CPU: iMac Pro 2.5 GHz 14-core Intel Xeon W processor. The RAW movie tool cannot run in non-Nvidia (AMD or Intel GPU) environments. VRAM: 4 GB or more (8K movies: 8 GB or more). Storage: SSD with read speeds of 400 MB/s or faster. CPU: Intel Xeon CPU E5-2687W v3 3.1 GHz x 2 or better. Minimum system requirements for the tool are also noted below. The following environment is recommended for the RAW movie tool.
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